By William Wolf

BOYS DON'T CRY  Send This Review to a Friend

This emotionally sizzling drama may be the best film to emerge from the 1999 New York Film Festival. A profound, disturbing story pitting courage against prejudice and love against hatred, "Boys Don’t Cry" is driven by a wrenching, deeply human central performance, excellent supporting acting and intelligent, committed directing by Kimberly Peirce, who co-scripted her first feature with Andy Bienen. What's more, the film is based on a true story that made headlines and was previously the subject of a documentary.

I can't imagine a better casting choice than Hilary Swank for the role of Brandon Teena, a young woman who is sure she is really meant to be a man. She comes to Falls City, Nebraska, binds her breasts, wears male clothing, pads her crotch and has the nerve to start dating young women while keeping her secret. It's crazy to think she can get away with the deception for long, but the passion of her deep-rooted need is understandable and emotionally touching. Swank passes in the looks department--that's crucial but it's the relatively easy part. More importantly, Swank gives a shattering performance that captures the inner turmoil and longing to be accepted for who she feels she is, as well as projects the character's decency. It's an acting job that wins us over at the outset and grows even more impressive and effective as we get to know and sympathize with the character.

As those who followed the case already are aware, Brandon was brutally murdered in the rampage that followed the discovery of the secret. The film depicts the torrent of hate spewed by those who feel betrayed. One person is on death row, another in prison as a result of what happened. The strength of the fictional treatment lies in the depiction of all that leads to the climactic, tragic events.

Plaudits are also due Chloe Sevigny for her sensitive, moving portrayal of Lana, the young woman with whom Brandon falls in love. Sevigny accomplishes the film's important task of being the central voice of reason, the devoted lover who in the face of the surrounding hysteria is still willing to accept Brandon on "his" terms because she loves and respects the person she has come to know.

In addition to examining the intense personal relationships, "Boys Don't Cry" depicts Middle America in a way that picks up the frustration of characters whose lives are constricted and whose futures look dim. Peter Sarsgaard is excellent playing John Lotter, who is currently awaiting execution, by communicating the frustration and prejudice that fuel his rage. Commendations are also due Alicia Goranson, Matt McGrath, Alison Folland and Brendan Sexton III for their solid acting contributions.

"Boys Don't Cry" is gripping from start to finish as it explores an American nightmare while never losing sight of the deep feelings shared by many who reject their assigned place in society and search to define themselves as they realize they are meant to be. A Fox Searchlight release.

  

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