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4 MONTHS, 3 WEEKS AND 2 DAYS Send This Review to a Friend
One of the most impressive films shown at the 2007 New York Film Festival was the Romanian import, “4 Months, 3 Weeks and 2 Days,” Cristian Mungiu’s drama about a university student trying to help her roommate get an abortion. A Cannes award winner, it is now getting a commercial release. This is not only a fine, powerful film about a vital subject, but a drama that reflects a former time in Communist-ruled Romania and the horror of having to resort to seedy resolution of a deeply pressing personal problem.
Writer-Director Cristian Mungiu paints a bleak picture of life under the Ceausescu regime. With abortion outlawed, getting one involves clandestine and medically dangerous arrangements. The film opens at a university, and it takes a while before we learn what is developing. Anamaria Marinca as Otilia has undertaken to help her roommate Laura Vasiliu as Gabita terminate an advanced pregnancy. The grim task involves booking a hotel room for the secret procedure, and dealing with a callous, money-grubbing abortionist, played convincingly by Vlad Ivanov.
Marinca and Vasiliu give strong performances as they navigate the underground. The horror of the search and the dangers involved are presented harrowingly, and the characters of both women are explored. There is the added interest in Otilia having second thoughts about the relationship with her boyfriend because she finds him revealingly insensitive to the situation. The story becomes as much about Otilia's awakening as it does about the grim problem at hand.
The film also reveals Gabita as a selfish person who lacks appreciation for the painstaking effort Otilia is making to help her in a dire situation. This is not a moralizing film, but one in which the writer-director guides us through a labyrinth of the environment under which the two women carry out their plan. The portrayals are vivid rather than sentimental, and the result is a thoroughly engrossing and highly accomplished film that bids to be among the best of 2008. An IFC and Red Envelope Entertainment release.

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