Irving was able to get away with the scam for a time, partly because of his cleverness and a certain amount of luck, but also because Hughes’ life had become so private and bizarre that Irving was able to trade off the fact that anything seemed to be possible. Irving also resorted to forgery.

What makes the film effective is Gere’s performance. He gives the impression of one who has begun to believe his own lies, and there is a roguish appeal that almost makes one root for him to get away with it. Of course, we know Irving didn’t, so there is no suspense on that score.

But in the course of his deceptions Irving is shown becoming involved with powerful forces that put him in danger. There are potential embarrassments to the Nixon Administration, and there are consequences. The total picture becomes fascinating, and one would question believability except for what is known to be true.

William Wheeler has written the screenplay based upon Irving’s book, and director Lasse Hallstrom has found the right tone with which to approach the material—a mix of bluster and mystery. Alfred Molina is effective as Irving’s partner-in-crime who grows increasingly nervous. Marcia Gay Harden plays Irving’s wife, who has her own problems being married to a husband who is a cheat in more ways than one. A fine supporting cast includes Hope Davis, Julie Delpy, Eli Wallach and Stanley Tucci.