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THE PAINTED VEIL Send This Review to a Friend
If you are looking for an old-fashioned romantic story against an exotic background, “The Painted Veil” may be for you. It is based on the Somerset Maugham novel, which has already been made into two film versions, one with Garbo, and now has passed through the hands of screenwriter Ron Nyswaner and director John Curran. There’s a mighty assist from director of photography Stuart Dryburgh, as the stunning look of the film is in effect a main character.
“The Painted Veil,” set in the 1920s, does not rise to more than a romantic potboiler in terms of plot credibility, but such films are rather rare these days, and there is an audience for them, especially when a good cast is on hand. Naomi Watts play Kitty, a spoiled, vapid young British woman who needs to escape from domination at home and although it is not a love match, accepts the marriage proposal of Walter, an up-tight British doctor, played accordingly by Edward Norton.
But Kitty gets into a hot sexual affair with married diplomat Charlie Townsend, Liev Schreiber in a seductive mode. When Walter becomes aware of the betrayal, he punitively hustles Kitty off to China, where he has taken a post and where she at first is resentful. But Kitty learns to love Walter after all as she matures, becomes a more involved person and is tested when a cholera epidemic rages and her husband strives to save as many people as he can at risk to himself.
Toby Jones, who was so strikingly effective as Truman Capote in “Infamous,” here plays Waddington, a knowing and rather odd friend and neighbor who has a relationship with a beautiful Asian woman, a liaison that stimulates Kitty.
The story is heavy going and stretches credibility, but after all, it is a tale of love , trauma and cholera. One doesn’t always demand reality. A Warner Independent Pictures release.

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