|
BORAT: CULTURAL LEARNINGS OF AMERICA FOR MAKE BENEFIT GLORIOUS NATION OF KAZAKHSTAN Send This Review to a Friend
Among the funniest movies I have ever seen has the mouthful title of “Borat: Cultural Learnings for Make Benefit Glorious Nation of Kazakhstan,” which immediately set tongues wagging and sides splitting at the 2006 Toronto International Film Festival. The comedian Sacha Baron Cohen, until now best known for his Ali G characterization, this time comes across in a mock documentary as Borat, a Kazakhstan journalist who leaves his backward village to travel to America and take TV footage of his experiences. The result is a satirical onslaught of comedy that is politically incorrect, wildly broad and joyously filled with vulgarity and slapstick. Judge accordingly, as the film isn’t for those who cringe at such material.
Borat sends up anti-Semitism, and it would be a mistake to take his outrageousness as anti-Semitism itself, as some will be prone to do. Cohen is Jewish and knows very well what he is doing. He is ridiculing anti-Semites who would hold such events as “running of the Jews,” fearing kindly Jews who run a bed and breakfast place in the U.S or going into a gun store to buy a weapon to defend himself against Jews. All of this is in the context of making Borat a hapless looking guy who puts on those he meets with outrageous behavior in scene after scene that will have most audiences in stitches.
He travels with his producer Azamat, portrayed hilariously as a fat slob of a guy by Ken Davitian. When they have a battle royal with nudity the positions in which they find themselves are as riotously funny as they are vulgar.
Borat wants to eventually reach California to meet Pamela Anderson, on whom he has a crush and whom he is intent on wedding. But much of the humor comes from culture clash, that of a Kazakhstan hick learning the ways of America and Americans and his being so ignorant that he doesn’t even know how to use an American toilet and thinks a hotel elevator is meant to be his room. I won’t spill more gags, as it would spoil the fun of encountering Borat’s misadventures yourself, including his face-offs with real public figures.
Cohen demonstrates his comic mastery and deserves to take his place among the funniest of movie clowns. His talent probably hasn’t even reached its peak yet. He is one very funny guy who knows how to translate his skills into rip-roaring spoofing. He co-wrote the film with Anthony Hines, Peter Baynham and Don Mazer. Larry Charles directs with a sure feel for the sort of humor projected. “Borat” is poised to take the world by storm, delighting many and giving fits to censors. A 20th Century Fox release.

|