Edward Norton has a restrained but colorful role as the enigmatic illusionist Eisenheim, who entertains crowds with remarkable feats involving, in addition to dazzling magic tricks, stunning apparitions. He is seen as a threat to public order, especially by Crown Prince Leopold, played by Rufus Sewell, who demands that chief inspector Uhl (Paul Giamatti) discover the secrets to Eisenheim’s performance and end his appearances. It’s an important command, as Uhl has ambitions dependant on keeping in the good graces of Leopold.

Before the main trust of the plot unfolds, Eisenheim as a boy and Sophie von Teschen, of wealthy, important family, have a childhood romance, broken up by her parents. Complications occur when Eisenheim is performing, and the adult Sophie (Jessica Biel), now the intended of Leopold, becomes a volunteer on stage. Will they recognize one another? And if so, what will be the consequences?

Rest assured that writer-director Neil Burger, who has based the film on a short story by Steven Millhauser, develops the tale from many angles, including the romantic element and baffling demonstrations of Eisenheim’s gifts, be they metaphysical or just those of a clever magician. There is also the ongoing confrontation between Uhl and Eisenheim, with Uhl confounded by what the man he is ordered to thwart is able to accomplish. Meanwhile, Sophie and Leopold are on a potentially violent collision course.