By William Wolf

MRS. PALFREY AT THE CLAREMONT  Send This Review to a Friend

Add Joan Plowright to the list of actresses giving outstanding performances in films released in 2005. She is making the most of a lovely role in “Mrs. Palfrey at the Claremont,” a film that celebrates life and survival in widowhood. In the British work astutely directed by Dan Ireland, Mrs. Palfrey sees the sad loss of her husband as a time for her to claim some personal space and think about herself. Accordingly, rather than live with her daughter she moves into a small London hotel, not what she expected it to be and inhabited by lonely people. She’s in much better emotional shape than the other inhabitants.

Plowright imbues tremendous dignity into the character, deftly delineated in Ruth Sacks’ screenplay based on a novel by British writer Elizabeth Taylor. Mrs. Palfrey contacts her grandson, who doesn’t come to see her for a time. Meanwhile, a handsome young and personable man, an aspiring writer named Ludovic Meyer, helps her when she falls in the street and a warm friendship develops. Needing to show the others in the hotel that she has somebody, she gets Ludovic to pretend that he is her grandson. Of course, there are complications when her real grandson turns up at an inconvenient moment, as does her daughter.

Rupert Friend, who also plays Wickham in the new “Pride and Prejudice,” is exceedingly appealing as Ludovic, and one can see him as a burgeoning romantic leading man in future films. He also gets a turn of romance here, when he meets Gwendolyn (Zoe Tapper) in a video store. Their relationship sparks Mrs. Palfrey’s memories of her own happy relationship with her late husband and gives us a feeling of life’s joys and the importance of taking advantage of every moment.

The fine supporting cast includes Anna Massey in a memorable performance as the lonely, outspoken Mrs. Arbuthnot, who befriends Mrs. Palfrey when she arrives. Each of the characters depicted are well-etched, as is the hotel itself, a stuffy none-too-comfortable place with institution-like food. Sadness pervades, but as layers are revealed, the film makes the point that there are hopes and dreams within everyone, and no one should be taken for granted.

“Mrs. Palfrey at the Claremont,” enhanced by the meaningful interaction of youth and age, has a pleasing glow to it, and it is wonderfully sensitive as well as charmingly entertaining. Plowright’s performance is a gem that must be added to her list of major accomplishments in her distinguished career, and the film itself is a striking, beckoning accomplishment. A Cineville/Picture Entertainment release.

  

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