By William Wolf

UP AND DOWN  Send This Review to a Friend

Director Jan Hrebejk’s view of the Czech Republic in the post-Communist era doesn’t seem much like the Czechoslovakia I visited when it was under Communist control and on another occasion just before the big upheaval. He and screenwriter Peter Jarchovsky see Prague as rife with thieves, illegal immigrant and racists. True, there is also the mix of family problems that exist under any system, but the film attempts a panorama of bits and pieces of contemporary life, and together, they provide an overview.

“Up and Down” therefore is disjointed, although some of the characters come together in different ways. The central family undergoing stress includes a wife whose much older husband is discovered to have a brain tumor and require surgery, the professor’s bitter ex-wife who resents his marriage to the younger, more attractive woman, and the professor’s son with his former wife. The son had an affair with the woman who was to become his stepmother when she chose the father for her husband instead of the youth. Complicated?

Most interesting is the role of the son, Martin, played by Petr Forman, in real life the son of renowned Czech director Milos Forman, who was a major force in the revitalization of Czech films in the 1960s. The younger Forman is quite handsome in a rough-hewn way and suited to playing the rebellious Martin, who has moved to Australia where he has a happy life with a wife and child. He returns to Prague to visit his ailing father, as well as his complaining, resentful mother.

There is comic relief provided by bumbling thieves who masquerade behind a pawn shop, as well as comedy with underlying sadness involving a woman so desperate for a baby that she wants to kidnap one, and her dunce of a soccer-loving husband with a jail record who cannot find a job he can hold. All of these roles have been well cast.

Striking an added note of realism, director Hrebejk has cast Vaclav Havel playing himself in a cameo. “Up and Down” is mostly up when it comes to being entertaining in its view of life in the Czech Republic even though as a whole the film is not as deep as it might be. A Sony Pictures Classics release.

  

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