By William Wolf

THE ADJUSTMENT BUREAU  Send This Review to a Friend

Two appealing actors, Matt Damon and Emily Blunt, are trapped in a cockamamie story about people being manipulated by God-like operatives in suits and having to battle to assert their free will. Yet “The Adjustment Bureau,” based on a short story by Philip K. Dick and written and directed by George Nolfi, may have something there. Perhaps I’m under the manipulative control. Could I really have decided to see this dumb film of my own free will?

Damon plays a politician, David Norris, who seems a sure thing to become a U.S. Senator from New York but is suddenly hit by revelation of a foolish act he once committed. He loses. But wait, the secret agents who decide one’s fate have been grooming him for a new climb to a higher office if only they can control his actions.

Meanwhile, David has met Elise Sellas (Blunt), a dancer, but for some reason if he gets together with her he will ruin both their lives. But he has fallen for her and is determined to pursue her, and most of the film is spent with the operatives trying to keep them apart. Fortunately one of the agents, played by Anthony Mackie, is sympathetic and rebellious, and he gives David a helping hand with advice and a magic hat. The film heats up to a mad chase with David trying to prevent Elise’s marriage to another.

The action involves all sorts of hocus pocus, like going through doors that magically lead to various places such as Yankee Stadium or a cavernous warehouse-type space.

Every time I think I’ve seen the silliest film to come along in a long time, one turns up that is even sillier. Enter “The Adjustment Bureau.” A Universal Pictures release.

  

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