BOMBSHELL


Directed by Jay Roach and scripted by Charles Randolph, “Bombshell” recounts the trail of sexual abuse at Fox News and the resulting downfall of honcho Roger Ailes. The film is colorful in its depiction of what was going on, and it boasts a superb cast. But why isn’t it a better film?

The strongest element is the casting. The key character, Megyn Kelly is given a lively interpretation by the excellent Charlize Theron. We also have Gretchen Carlson, effectively portrayed by Nicole Kidman. There is Kayla Pospisil, the fictional character in the group, depicted by the talented Margot Robbie. As for Ailes, John Lithgow is barely recognizable in the oppressive role, as he is fattened from jowls to belly with costuming and makeup. Abetted by the disguise, he does an excellent job as the predator in chief, who has trouble coming to terms with his exposure and ouster.

There is another noteworthy performance. The venerable Malcolm McDowell, now, of course, looking older than when he first earned recognition with such films as “A Clockwork Orange” and “O Lucky Man!,” does a brief but nifty job as Fox News owner Rupert Murdoch.

Despite the interesting subject and the worthy attempt to focus on the abuse of women, “Bombshell” has a repetitive feeling as it goes about filling out the narrative. It seems too diffuse as the atrocities pile on, and the overall impact is lessened. However, the ultimate retribution gives the film a lift. One can also applaud depiction of the demeaning scenes in which Ailes is shown acting completely piggish.

The film succeeds in providing a portrait of the inner workings at a prominent network with its battles and tensions. But as “Bombshell” progresses we get more of the same, and missing is the overall blast that the film needs to deliver. Still, it is to be recommended for what It does accomplish as an entertaining contribution to efforts to wipe out sexual abuse in the workplace and elsewhere. A Lionsgate release. Reviewed December 13, 2019.




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